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Adobe After Effects:Convert Canon C300 MXF to WMV/MPG for After Effects CS5/CS6

This guide displays a way to convert MXF footage taken with Canon EOS C300 to WMV/MPG format, so as to use them in Adobe After Effects version CS6, CS5 fluently with lossless quality.

"I am working on a project shot on the Canon C300 and want to import into After Effects and I know that the Canon MXF Codec isn't supported in AE so what is best way to import the footage without losing quality?"

Adobe After Effects is fully compatible with .mxf video using AVC-Intra, AVC-Intra 50, AVC-Intra 100, DV, DVCPRO, DVCPRO50, and DVCPRO HD codec's, it can also import XDCAM HD files in MXF format,but it can't support .mxf files in Canon XF codec. Canon EOS C300 is a popular professional HD camcorder. It adopts the industry-standard MPEG-2 Long GOP 4:2:2 Codec (Canon XF Codec, MXF). So, what's the solution ?

For my own opinion, the best way is to convert Canon C300 footage to After Effects CS6 compatible format, like MOV (AVC) or MPEG-2. In this case, we'll need to find out a professional MXF converter.

Brorsoft MXF Converter for Mac (a professional Mac MXF to After Effects Converter tool) is the best choice for you. It can generates best editing format/codec for filmmakers and video enthusiasts to use in different NLE apps, such as Adobe After Effects, Adobe Premiere Pro CS4/CS5/CS6, , iMovie, Final Cut Express, Final Cut Pro 6/7/X, and more. For Windows user, get Brorsoft MXF Converter.

Transcoding Canon C300 MXF video to Adobe After Effects:

Step 1. After downloading, install and run this Mac MXF Converter, just copy the MXF files from the CF cards right to your hard drive, import the files to the software.

Step 2. Choose output format. This video converter offers optimized format preset for After Effects. Just click "Format" menu firstly and then follow "Adobe Premiere/Sony Vegas" to set MPEG format.

Step 3. You can click "Settings" button to adjust the parameters, such as resolution, bitrate, etc.

Step 4. Click "Convert" button to start transcoding Canon C300 .mxf to .mpg for importing to After Effects CS6 on Mac.

After the conversion is finished, just run Adobe After Effects CS6 and import the generated .mpg files. You will find the output video work perfectly on After Effects CS6 as well as for After Effects CC, CS5, CS4.

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Import Canon XF300/C300 MXF footages to After Effects CS6
Transfer/Import Canon EOS C300 1080i MXF to Sony Vegas Pro

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Sony FDR-AX33 and FCP 7/X-Convert Sony AX33 XAVC-S files to ProRes MOV for FCP on Mac

If you”ve got a Sony camcorder like FDR-AX33, the XAVC-Sformat will not be an unfamiliar for you.The only problem usually occurred during the editing process. 4K XAVC S files still cannot fully supported by some video editors like FCP X, can’t ingest xavc s video from Sony FDR-AX33 directly. In this article, I will share the Sony FDR-AX33 to FCP X, Final Cut Pro 7 workflow with you.

Source From: Loading Sony FDR-AX33 XAVC S to FCP/Premiere Pro

To import FDR-AX33 XAVC S to FCP, and other video editing programs, a common solution suggested by most users is to convert XAVC S to a more compatible format. Would we have to transcode the XAVC S into another codec to be able to work in Final Cut Pro? As far as I know, XAVC S is not an ideal format for editing; you can’t directly import and edit Sony XAVC S clips in FCP on Mac OS X (10.10 Yosemite included).

To get rid of the issue, it will be better to transcode Sony XAVC S to a more "edit" friendly codec. Brorsoft Video Converter for Mac is highly recommended here. The program is an easy-to-use yet professional Sony XAVC S Converter for Mac. It's able to convert XAVC S files from Sony FDR-AX33 to Apple ProRes for FCP, MPEG-2 for Adobe Premiere Pro. With it, you may also encode XAVC S to FCE, Avid Media Composer and more NLE programs highly compatible formats for editing.

Guide of Converting Sony FDR-AX33 XAVC S to FCP 7/X

Step 1: Run the program you just set up. Drag and drop the XAVC S files to the Mac XAVC S converter. You can also hit Add files button to import videos to the app. If you wanna combine Sony XAVC S files into one file, you can click the "Merge into one" box.

Step 2: Hit the "Format" bar and select proper output format.

For editing 4K XAVC S in Final Cut Pro 7/X, you can choose "Final Cut Pro > Apple ProRes 422 (*.mov)";

Tip: This XAVC S converter also allows you to fix the frame rate, bitrate, sample rate, audio channel to your needs by clicking Settings icon.

Step 3: When you finish all settings, hit "Convert" button to start XAVC S to ProRes conversion on Mac OS X. You can follow the conversion process from the pop-up windows.

Once the conversion finished, you can import the converted Sony FDR-AX33 XAVC S file to Final Cut Pro 7, FCP X smoothly with superior speed once the post production process begins.

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Most Efficient Way to Edit Blackmagic 4K in Final Cut Pro 7

Can we downscale Blackmagic 4K to 1080p for editing in FCP 7 ? In this article, we will give you the solution to importing and editing Blackmagic 4K in FCP 7 easily.

At the top of the Blackmagic lineup is the Production Camera 4K, which can capture footage in Apple ProRes 422 HQ or losslessly compressed CinemaDNG Raw- promising 12-stops of dynamic range. And it supports Ultra HD and 1080p resolution capture in 23.98, 24, 25, 29.97 and 30fps. When you got a Blackmagic 4K camera, you will wanna know the 4K workflow. So, what is currently the best and most efficient way to work with Blackmagic 4K video in Final Cut Pro 7? Now get some tips and tricks for importing and editing Blackmagic 4K material in Final Cut Pro.

Learn from Apple official site, we know that FCP X 10.1 can support editing and monitoring 4K video, including 4K ProRes, Sony XAVC and REDCODE RAW. But the point here is, Final Cut Pro 7 still uses 1080p as primary delivery format and will continue to do so for a long time. To import and edit Blackmagic 4K clips in FCP 7 smoothly, you are advised to convert and downscale 4K to 1080p from Blackmagic for FCP 7 before editing.

First of all, download and install Brorsoft Video Converter for Mac. With it, you can effortlessly encode/re-encode Blackmagic 4K footage for smoothly importing and editing in various non-linear editing systems (NLE), including Final Cut Pro, Adobe Premiere Pro, Avid Media Composer, iMovie, FCE and more. Below is the detailed guide on transcoding and downsize Blackmagic 4K files to FCP 7 on Mac.

Efficient Way to Edit Blackmagic 4K in Final Cut Pro 7

Step 1: Load the 4K videos to the program

Download and install the 4K Video Converter, and then import the source 4K videos to it. To do so, you can directly drag & drop the files onto the main interface, or you can click the "Add" icon to locate the videos from your local disk.

Step 2: Set output video format

Click the "Format" bar and select Final Cut Pro> Apple PreRes 422(*.mov) as output format.

Tip: Click the "Settings" button and customize proper video/audio parameters including Video size, bitrate and fame rate and more. Usually 1920*1080 video size and 30fps video frame rate are recommended for FCP 6/7 editing.

Step 3: Begin to convert Blackmagic 4K videos

When you finish the settings, you can press the big "Convert" button to kick off the conversion. By using this professional 4K to FCP 7 Converter, the conversion will be finished with ultrafast speed and the best video quality kept. After the conversion, you can then edit the Blackmagic raw 4K in Final Cut Pro 7 smoothly.

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Convert/Edit Panasonic AJ-PX800G AVC Intra/AVC LongG P2 MXF to FCP X/7

You'd better convert Panasonic AJ-PX800G P2 MXF files to Apple ProRes MOV for further editing in Final Cut Pro X or FCP 7/6 without problems. Follow this guide, you will learn how to accomplish it within a few clicks.

The AJ-PX800G is a new-generation camera-recorder for news gathering. It is network connectable and provides superb picture quality, high mobility and excellent cost-performance. Weighing only about 2.8 kg(main unit), the AJ-PX800G is the world's lightest shoulder-type, 2/3-type, three sensor camera-recorder equipped with three MOS image sensors for broadcasting applications. It also supports several AVC-ULTRA codecs - the picture quality and recorded data rate can be selected from one of the AVC-ULTRA family of codec's (AVC-Intra/AVC-LongG) according to the application.

Many photographers are very interested in the Panasonic AJ-PX800 but they have the same confusion how does AVC-Intra/AVC-LongG work with Final Cut Pro?As we all know, FCP 6/7/X does not currently support AVC-Intra native timelines, so all such source footage will still have to be re-rendered within the timeline. The upside with AVC-Intra native editing is that AVC-Intra clips are re-packaged into Quicktimes within the project capture scratch folder thereby creatinga new master copy of the files. AVC-Intra is listed as one of the many supported formats of FCPX, but there are still many importing and editing issues unresolved.

In one word, AVC-Intra/AVC-LongG and Final Cut Pro 6/7/X are not compatible fully. Although, Apple has tried their best to make FCP ingest the AVC-Intra P2 files effortlessly, it need a long time for rendering and some other problems still exist. Plus, the Panasonic’s 10-bit AVC-Intra codecs are very demanding on your computer’s processor. So, to make it easier for editing Panasonic AJ-PX800G P2 AVC-Intra MXF videos on FCP 6/7/X, the most effective solution is to transcode P2 AVC-Intra/AVC-LongG to ProRes on your Mac. It helps you convert P2 AVC-Intra100/AVC-Intra50/AVC-LongG50/AVC-LongG25/ AVC-LongG12 MXF to Apple ProRes 422(HQ), the appropriate format for AVC-Intra/AVC-LongG footages.

Free download MXF Converter on Mac:

(Note: Click here for OS X 10.5.8)

Guide: How to Convert Panasonic AJ-PX800 MXF files to Apple ProRes for FCP editing

Step 1: Load MXF files
Run the Mac MXF Converter to click "Add" button to load your original MXF videos from Panasonic AJ-PX800G.

Step 2: Set the proper output format.
For FCP editing smoothly, choose “Final Cut Pro> Apple PreRes 422" as the output format.

Tip: You can click the “Settings” icon to customize the video/audio settings for Final Cut Pro: 1920*1080 vide size; 30fps frame rate(for original 60fps videos) or 25fps frame rate(for original 50fps videos).

Step 3: Start Conversion
Click “Convert” button on the main interface to start transcoding Panasonic AJ-PX800G MXF to ProRes for Final Cut Pro on Mac OS X.

The conversion will be finished soon. Once it is finished, you can click “Open” on the main interface to find the Apple ProRes MOV videos for FCP for further editing without problem.

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Get Canon EOS 1200D/Rebel T5 MOV footage to Final Cut Pro (FCP/7/X) Converter

An easy solution to make your H.264 MOV video from Canon EOS 1200D/Rebel T5 compatible with Final Cut Pro 7/X with the maximum editing quality and efficiency.

Photography is certainly an art and so is the choice of a right camera! The Canon EOS Rebel T5 / 1200D delivers 18 megapixels of professional grade image quality in a compact, lightweight, adequately-featured and easy-to-use body that wears a very affordable price tag.

Here are the T5's video recording features and specs:Movie exposures are either Program AE or manual exposure.The ISO speeds up to ISO 6400 can be used for manual exposures.The movie file size is now unlimited (or limited by the card being used) - continuous HD recordings can be as long as approximately 22 minutes utilizing 4GB clips.Created are H.264-encoded .MOV files.

Available resolutions and frame rates are:
1080p: 1920x1080px at 30fps (29.97fps), 25fps, 24fps (23.976fps) 330 MB/min
720p: 1280x720px at 60fps (59.94fps), 50fps 330 MB/min
SD: 640x480px at 30fps (29.97fps), 25fps 82.5 MB/min

You may get a lot of h.264 mov files shot by Canon EOS T5. When editing these videos with Final Cut Pro in Mac, you'll often run into troubles like import error, poor color or quality. Actually, such highly compressed formats by no means the ideal formats for editing purpose. Instead, raw clips like Apple ProRes 422 (*.mov), Apple ProRes 4444 (*.mov) perform much better. Thus, it's not optional but a must to decode your video files to ProRes format if you want to achieve the best results.

In order to keep the video quality as well as finish the Canon MOV Final Cut Pro task as quickly as possible, a Video Converter for Mac is in use. We at Brorsoft naturally recommends the ProRes Converter: Video Converter for Mac. With it, you also can easily transfer all popular formats like MP4, H.264, MXF, MTS, AVCHD, VOB, MPG, etc. to Apple ProRes 422, ProRes 4444 in Mac with a few clicks. Below is the step by step guide.

(Note: Click here for OS X 10.5)

The Steps: Converting Canon Rebel T5/1200D MOV footage for Final Cut Pro

Step 1: Load T5 footage to the software

Install and launch Brorsoft Video Converter mac, and then click "Add" button to browse to Rebel T5 MOV footage either from cam HDD or SD card or drag the footage from your 1200D camera to the program.

Step 2: Select output format
Click on "Format" bar set an Apple ProRes format. You are advised to "Follow Final Cut Pro" template and choose "Apple ProRes 422 (*.mov)". If you prefer smaller file size, choose "Apple ProRes 422 (LT) (*.mov)" instead. The "Apple ProRes 422 (Proxy) (*.mov)" format offers file size at SD levels and is recommended for 480i/p and 576i/p shootings.

Tip: If you are a FCP 6 or former version user, you only can choose ProRes 422 and ProRes 422 HQ as the output format.

Step 3: Choose proper parameters in Settings

Click the "Settings" button and customize proper video/ audio parameters if necessary. E.g. Set video size to 1920*1080 or set smaller bitrate to further cut down export file size. You may skip this step as well.

Step 4: Start converting Canon MOV to ProRes codec
Click "Convert" to start transferring Rebel T5 mov files to Apple ProRes 422 codec for Final Cut Pro. The conversion process may take long time but it will not bother to render in FCP. After conversion just click the "Open" button to locate converted Canon Rebel T5 footage for FCP post-production.

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GF7 to Final Cut-Load Panasonic DMC-GF7 AVCHD MTS to FCP 7, FCP X on Mac

If you are puzzeled with the problem that you can't edit your MTS footage from Panasonic Lumix DMC-GF7 in Final Cut Pro 7, FCP X, you’d better transcode your Lumix DMC-GF7 AVCHD files first to resolve the incompatible problem.

After several iterations, Panasonic’s GF compact mirrorless camera line has gradually settled into a comfortable position in the market: providing mass market point-and-shoot appeal while giving photographers the option to fully control settings should the need arise. The latest camera in the series, the DMC-GF7, continues this trend. It’s built around the same 16MP sensor as other recent Panasonics including the GX7, GM1, and GM5, so we expect the image quality to be on par with those cameras.

Panasonic Lumix DMC-GF7 key specifications:

16MP Four Thirds sensor
Focus down to -4EV
3" 1.04M dot rear LCD
180 degree tilt "selfie" screen
5.8 fps burst shooting
1080/60p video in AVCHD or MP4 format
"No Password" Wi-Fi connectivity
"Face" and "Buddy" shutter modes

I have the new model from Panasonic Lumix series DMC-GF7, which is the best camcorder as I thought. Capture many videos with the GF7, and I want to edit the AVCHD recording with FCP for sharing uploading the video on the website. But while I try to import Panasonic Lumix GF7 MTS to FCP, the Apple Final Cut program is not computable well with these AVCHD files.

Well, the easiest workaround so far to import and edit Panasonic Lumix GF7 videos in FCP 7/X is to convert the AVCHD MTS files to Final Cut Propreferred editing format- Apple ProRes Codec .mov.

Brorsoft MTS/M2TS Converter for Mac comes out to achieve your goal smoothly. This Mac MTS converter features full support for almost all Canon, Sony and Panasonic AVCHD cameras, and it converts MTS files to editable format for using in Final Cut Pro, iMovie, Premiere Pro, Avid Media Composer, without visible quality loss and ensures audio and video in perfect synchronization. Below is a simple guide to follow for transcoding Panasonic DMC-GF7 MTS to FCP on Mac OS X (Yosemite included).

Free Download the AVCHD Converter Mac:

( Note: Click here for OS X 10.5)

How to solve Panasonic Lumix GF7 to FCP incompatible issues

1. Download, install and run the MTS to FCP Converter; click "Add Videos" icon to load your source .mts videos.

2. Click “Format” option and navigate the mouse cursor to choose “Format > Final Cut Pro > Apple ProRes 422 (*.mov)” as the best codec for Final Cut Pro 6/7 and FCP X.

3. Click the “Settings” button and customize proper video/audio parameters if necessary. Video size, bitrate and fame rate can be adjusted as you like. Usually 1920*1080 video size and 30fps video frame rate are recommended for FCP editing.

4. Hit the “Convert” icon under the preview window, and the Mac MTS Converter software will start transcode Panasonic GF7 MTS to ProRes for FCP.

After conversion just click the "Open" button to locate converted video files for FCP post-production seamlessly.

5: Launch Final Cut Pro 7/FCP 6, choose File >> Import >> Files..., and browse to where you save the converted AVCHD clips to. Choose the videos that you'd like to add.

Additional Tips and Tricks for the Mac MTS/ M2TS to ProRes Converter app:
1. Thumbnail- click "Snapshoot" button when previewing the video. Click "Option" to set the image format of screenshots.
2. Deinterlace- click "Editor", switch to "Effect" tab, find "Deinterlacing" box, and check it to eliminate interlacing lines.
3. Combine files together- check the files to be merged in file list and check "Merge into one" box beside "Settings" button.
4. Trim a section of the movie- click "Editor", switch to "Trim" tab, and input time point in start and end box.
5. Auto shutdown- click "Option" menu and check "Shut down the computer after conversion" before conversion starts.

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Canon iMovie: Transcode Canon PowerShot G7 X MP4 files to AIC

Summary: To edit Canon PowerShot G7 X MP4 files in iMovie on Mac, you'd better convert MP4 to AIC for iMovie first. Here is How-To.

The Canon PowerShot G7 X is the first pocketable compact with a 1-inch sensor not to bear the Sony brand name. The G7 X isn't quite good enough to oust the RX100 III from its perch as our favorite premium compact, but it's an attractive alternative for shooters who prefer a longer zoom range over an integrated EVF. With 1080p video recording capability up to 60 fps, it's fantastic to record incredible Full HD videos with such a tiny camera. However, it's a painful experience while importing PowerShot G7 X MP4 files to iMovie. This article will discuss this problem and offer an effective solution.

Although iMovie is said to support MP4 format with MPEG4/AAC or H.264/AAC data, it is difficult to afford 1080 50p H.264 MP4 videos in that compared with other standard editing video format, H.264 MP4 is more like a kind of delivery format. Therefore, in order to successfully open Canon PowerShot G7 X MP4 footage in iMovie, a recommended solution is to convert MP4 clips into iMovie friendly format like Apple InterMediate Codec MOV with a powerful third party program.

Brorsoft Video Converter for Mac is what you are looking for which can help you fast transcode Canon PowerShot G7 X MP4 footage to AIC MOV for iMovie editing. What's more, besides iMovie preset codec, it also supplies other professional codecs for NLEs, like Apple ProRes for FCP, DNxHD for Avid, MPEG-2 for Premiere .etc. With it, you not only can encode videos for most NLEs, but also can reformat videos into common video formats for playing on portable devices or media players. Now, download the software on Mac (Yosemite included), and follow the guide below to start Canon PowerShot G7 X MP4 to iMovie conversion.

How to encode Canon PowerShot G7 X MP4 videos to iMovie

Step 1. Drag PowerShot G7 X MP4 clips to the program directly. Or go to the "File" menu, click "Add" button to locate the MP4 files you want to add.

Step 2. You can choose iMovie/FCE --> Apple InterMediate Codec(AIC) (*.mov) as the output format. The output format is designed for iMovie 11/09/08 specially.

Tip: You are provided to adjust parameters including audio& video bitrate, frame rate, channel, codec .ect in "Settings" profile before conversion.

Step 3. Tap "Convert" button to start Canon PowerShot G7 X MP4 to AIC MOV conversion on Mac.

Once the conversion completes, you can get the generated videos via "Open" panel. After that launch iMovie, choose File > Import > Movies…, to import the converted MP4 video into iMovie. Now, it's time for you to start editing journey

Read More:
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Importing MOV files from Nikon D4S to Final Cut Pro
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Working with Canon EOS C100 MK II and Sony Vegas Pro
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JVC MOD to ProRes for FCP 7/X-Transcode JVC Everio MOD to Final Cut Pro 7/X editing on Mac (Yosemite)

Let’s start with the step-by-step guide on how to transcode JVC Everio MOD to Apple ProRes 422, ProRes 422HQ, ProRes 4444 and then import the converted videos for editing in Final Cut Pro (FCP 6/7/X) on Mac OS X (Yosemite).

What is JVC Everio MOD video format?
MOD is a video format used on many digital camcorders, such as JVC Panasonic and Canon camcorders. In fact, MOD video file is MPEG-2 files with AC3 audio. It is used exclusively for standard definition video files, however, which was never given an official name.

Why need to convert JVC Everio GZ-MG .MOD video to other video files such as MOV?
Although you can rename .MOD files into .AVI or .MPG files so that the can then be read easily by most players, then renamed .MOD video file are messed up: no audio track, video distortion, or images squeezed. For Example:

"I have been trying to work with some footage that was shot on a JVC Enerio to Hard disk. Which was then converted from the native .MOD files to what I thought was quick time MOV files.
However when I try to work with the footage in Final Cut Pro 7, I have to render the audio on every file I put on the sequence timeline and final cut is very slow and clunky to work with and keeps freezing. I tried to adjust the sequence setting to match the flies but that doesn't seem to have an effect. It is also especially slow and the play back very jumpy if I adjust the clip speed or color correct levels. "

So we need to convert JVC Everio GZ-MG MOD files to MOV so as to compatible with Final Cut Pro and Here is a detailed guide with the help of Brorsoft MAC JVC Everio Video Converter.

It can not only do the conversion from JVC Everio MOD to Apple ProRes for FCP, but also is equipped with some simple editing features, such as merging several videos into one file, deinterlacing the original footages, cropping video size, trimming video clips, adding special effects and text/image/video watermarks to output videos, thus it will be on the top of your list. Before you try to do the conversion, if you are also a FCP X user, please make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves.

Transcode JVC Everio MOD to Final Cut Pro 7/X editing on Mac (Yosemite)

Step 1: Connect your JVC Everio to your Apple with USB 2.0 cable or copy the MOD files to Apple hard drive disk. Run the best JVC Everio MOD to Apple ProRes Converter and then click the “Add” button to import the MOD files.
Tip: If you have multiple JVC Everio MOD files, you can select the “Merge into one” to stitch the multiple video files into one single file so that you can play these files without interruption.

Step 2: Click the "Format" bar and select Final Cut Pro> Apple PreRes 422(*.mov) as output format.

Click the “Settings” icon and you will go into a new interface named “Profile Settings”. You can adjust codec, bit rate, frame rate, sample rate and audio channel in the interface according to your needs and optimize the output file quality.
Note: You’d better set the video frame rate as 30fps, video size as 1920*1080 to keep the best quality for editing in Final Cut Pro. If you want to have a smaller file size but keep the good quality, you can change the video size to 1440*1080.

Step 3: Click the “Convert” button; it will convert JVC Everio MOD to Apple ProRes for FCP on Mac immediately. You can find the process in the “Conversion” interface.

When the JVC Everio MOD to ProRes conversion process is perfectly completed, you will be able to get the output files for Final Cut Pro by clicking on “Open” button effortlessly. Now you can easily import the converted and/or merged JVC Everio MOD with 30fps to Final Cut Pro for editing with high quality without any trouble.

1: The best JVC Everio MOD to Apple ProRes Converter also allows you to transcode MOD to FCE, iMovie, Avid Media Composer, etc. You can link to Brorsoft Video Converter for Mac to get more information.

2: If you are interested in converting files of other formats or enjoying DVDs and BDs on your portable devices, please link to Brorsoft iMedia Converter for Mac to get more information.

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Nikon D5200 to FCP 6/7/X - Make Nikon D5200 H.264 MOV files compatible with Final Cut Pro

The Final Cut Pro won't import MOV files from Nikon D5200 smoothly. The easy workaround is to transcode Nikon D5200 to a more "edit" friendly codec. Here is how

The Nikon D5200 is a new 24.1megapixel DSLR camera that can record Full 1080p HD movies at 1920x1280 pixels / 25fps or 50i/60i with stereo sound. A high-resolution 3-inch vari-angle LCD monitor makes it easier to compose your shots from difficult angles, while the extensive ISO range of 100-25600 should cope with virtually all lighting conditions. A 5fps burst shooting mode, EXPEED 3 image processor, 39-point autofocus system with 3D Focus Tracking, 2,016-pixel RGB metering sensor, High Dynamic Range mode, Active D-Lighting, seven different special effects for stills and movies and a new generation GUI design complete the Nikon D5200 s headline specs.

Have you tried to import your clips from Nikon D5200 to FCP 6/7/X or other video editings? Well some Nikon users may have tried this before. But they may have met more or less problems.

In fact, H.264 MOV video format from Nikon D5100 is a long GOP format that is highly compressed. To be frankly, it is not a friendly format for FCP X editing. Thus it is difficult for the Nikon users to import these videos to FCP X for editing smoothly. If you want to import Nikon D5200 1080P MOV to FCP X on Mac for editing, you need to convert the 1080i MOV footages from Nikon D5200 with an easy-to-use tool first.

Here we recommend the best D5200 MOV to FCP Converter to you. You can convert/transcode Nikon D5200 MOV to a compatible format for FCP X on mac quickly and easily. Before editing the footages from Nikon D5200, you are advised to install the first-class Nikon D 5200 MOV to FCP X Converter on your mac.

Step-by-step guide for all of you to make Nikon D5200 MOV edit in FCP 6/7/X on mac without quality loss.

Step 1: Import Nikon D5200 1080i MOV files to the best D5200 MOV to FCP 6/7/X Converter.Before imputing the clips from Nikon D5200 to the converter, you should connect your camcorder with your computer via USB cable, or you can copy the entire folder of the video to your computer directly.

Click the Add Button on the top of the main interface to import Nikon D5200 MOV to the best D5200 MOV to FCP X Converter.

Tip:You can double click the each file to have a preview.If necessary, you can tick the “Merge into one” box to merge D5200 1080i MOV files together.

Step 2: Select an output format for FCP X and set the output folder. Click on the dropdown menu of “Format” and then choose “Final Cut Pro”, you will find that there are many output formats for you to choose. You can choose the one that you prefer. Apple ProRes 422(*.mov) is the common output format for FCP.

After choosing the correct output format, you can set the output folder by clicking “Browse” icon to save your converted file as you like.

1. If you just have FCP 7 or above, you can choose these formats about Apple ProRes you like, but if your FCP on Mac is just FCP 6 or earlier, pls choose Apple ProRes 422(*mov) or Apple ProRes 422 (HQ)(*mov) in that other 3 formats are not supported by FCP 6.
2. If you want the size of the converted files be smaller, you are advised to choose Final Cut Pro>Apple ProRes 422(LT)(*mov) as the output format.

Step 3: Click “Settings” icon to adjust audio and video parameters. You can adjust codec, bit rate, frame rate, sample rate and audio channel in the Profile Settings interface according to your demands and optimize the output file quality.

Tip: You’d better set the video frame rate as 30fps, video size as 1920*1080 to keep the best quality for editing Nikon D5200 1080i MOV in FCP X on Mac. (If you are recorded in PAL, the 25fps as the frame rate is the best choice for you.) If you wanna have a smaller file size but keep the good quality, you can decrease the audio or video bitrate.

Step 4: Start conversion of your Nikon D5200 1080i MOV file to ProRes for FCP X editing.Click the “Convert” button; it will convert Nikon D5100 1080P MOV to FCP X on Mac immediately. You can check the process in the “Conversion” interface.

1. Deinterlace 1080i files: Click Edit and select "deinterlacing" in the Effect.
2. This professional D5200 MOV to FCP X Converter can also help you to transcode other video formats such as .mxf, .mov, m4v and so on for portable devices, HDTV or Editors.

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Hudl 2 DVD Playback-Backup DVD, DVD ISO, Video_TS folder to Tesco Hudl 2

This guide explains the steps for ripping Kid & Family DVD movies playback on your Tesco Hudl 2 tablet. Learn to convert DVDs to second generation Hudl Tablet videos with best video format settings on Mac and PC so that your kids can watch (Disney) DVD movies on Tesco Hudl 2 on the go.

Tesco Hudl 2
Key Features: 8.3-inch 1920 x 1,200 Full HD display; Dolby speakers; 1.83 GHz Intel quad-core processor; Android 4.4.2 KitKat; 5-megapixel main camera; 1.2-megapixel front-facing camera; 8 hour battery life; 16GB storage; micro SD card support

One year on and with 750,000 units of the original Hudl shifted, the second generation Hudl is £10 more expensive at £129 and that extra tenner gets you improvements everywhere you look. The screen is bigger and is Full HD, it’s now powered by Intel and has new child safety features to drive home that family-friendly experience.

If you have collected lots of DVD discs for your Kids, you may want to put those DVD movies to Tesco Hudl 2 for him/her enjoying at home or on-the-go. If so, find a solution here. Below, I will throw a quick tutorial up on how to backup and copyDVD films to Tesco Hudl 2 tablet for your Kids.

As you see, in order to play DVD movies on Tesco Hudl 2 Tablet, you'll need a DVD Ripping software to convert DVD to Tesco Hudl tablet supported video format (MP4 encoded with h.264 code is highly recommended). DVD Converter varies. You may confused about choosing a most suitable tool. If so, i recommend you try Brorsoft DVD Ripping program.

This amazing software is convenient and easy to use. It can rip your DVD into any format you choose. I recommend it to first-time users and even to users who need something that is both powerful and fast. I am so glad that Brosoft has created an incredible program for backing up my purchased DVD original movies. I have bought other programs that eventually became outdated and useless with newer movies. These other programs did not always have predictable outcomes with image and sound qualities.

Just download it and follow the step-by-step guide below to convert DVD to Hudl 2.

How to Convert DVD to Tesco Hudl 2 tablet playable video formats

P.S. The quick start guide below uses DVD Ripper Windows screenshots. The way to rip DVD movies to Tesco Hudl 2 Tablet on Mac is almost the same. Just make sure you get the right version according to your computer operating system.

Step 1: Add DVD movies
Add your DVD files by clicking the "Load DVD" button and load Disney DVD files. ISO image files , IFO files, and Video_TS files are also supported. After the DVD files are loaded, you can preview them on the right viewing window and take snapshots of your favorite movie scene.

Step 2: Select output format

Select output format in the "Format" bar. Here "Android > Android Tablets 720P Video(*.mp4)" is highly recommended as the output format. Of course, you can also select MP4 as output format from "Common Video" profile list.

Note: Click on “Settings” you could easily set bitrate, frame rate, codec, channels, sample rate, etc to adjust parameters that affect video quality and file size for the video you prefer. After that, you can click on “Save as” to rename the profile, such as “Tesco Hudl 2 Tablet (*.mp4)”. Next time, you can easily find it in “Custom” category.

Step 3: Start the DVD to Hudl 2 MP4 video conversion

When the conversion completes, you can transfer the result videos to the Tesco Hudl 2 Tablet. So there you have it. Pretty simple! Now your Kids can start the fun right away with viewing DVD movies on Tesco Hudl 2 Tablet.

If you have no idea about Tesco Hudl 2 tablet file transfer, you can check out the post "How to transfer files to Tesco Hudl tablet from PC" to learn details.

If your movie isn't already in one of the Tesco Hudl Tablet supported formats or it's still on a DVD or a Blu-ray, you can get the Video Converter Ultimate (or the iMedia Converter Mac)which can help you rip Blu-ray/DVD, and convert various formats of 720p/1080p HD videos in MKV, AVI, TiVo, VOB, MPG, MTS, etc. to your Tesco Hudl Tablets and other Android. iOS, Windows RT/8 etc. os tablets/phones for smoothly playing.

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Make MP4 video compatible with FCP 7/X
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How to Solve Can’t Import Nikon MOV to FCP
Can't import DVD into Final Cut Pro?(Yosemite)
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Import AVCHD (mts, m2ts, m2t) to Final Cut Pro 7/X
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